I’m home after a relaxed break with family in Quebec.

There was excellent weather, lush green, beautiful flowers, good company, abundance of food, pretty walks, and funny-looking creatures.

Good times.

I’m heading out to spend a few days with family in Canada. I was packing yarn for a light-weight travel knitting project and first I thought, “Two balls will be plenty.” But then I remembered that terrible time when I was stranded in an airport hotel in Amsterdam for 24 hours, and I packed all four just in case. You never know, and you can never have too much comfort yarn.

Back next week!

It’s warm enough to open the windows. There is so much to hear. An ice cream truck has taken up residence at the end of our block and throughout the day the constant jingle comes in and out of my consciousness. Guys working on a car, dropping tools on the sidewalk. A couple fighting. Sirens. A helicopter. A girl yelling, “Come jump with us!”

*shown here in Verdana – blasphemy!

The other night we watched Helvetica, a documentary about that particular typeface, typography and graphic design, and their role in our culture. Graphic design was my major in college so I had fun watching famous designers talk about their intense typographic passions.

Like one of the designers in the movie, I was of the last generation to study graphic design pre-computers. Or at least that’s how I started; I witnessed the transition. Initially we had a full-time photo typesetter in the Visual Communications department. When we wanted to mock up a layout we would look at type books and either draw the letters by hand or else specify what we wanted her to generate for us. She printed the text on glossy photo paper and we used surgical scalpels to cut out the words and paste them in place. It was laborious.

When I started my degree there were two Apple Classics jammed in a corner of the animation studio. I used one once, during an afternoon computer introduction class. By the time I graduated half the print shop had been taken over by Macs running Quark, alongside a giant laser printer.

In my final year I was able to create a curve of text on-screen instead of by snipping the paper between each letter and then curving the tiny strip to shape, simultaneously trying not to get spray adhesive everywhere and my sleeve stuck to the page. A door opened too suddenly no longer meant half-an-hour on the floor, rounding up vital paper scraps.

Now obviously I love computers (or this blog wouldn’t be here) and designing layouts with current technology is dreamy in its ease. But watching the documentary took me back to the time I spent immersed in letterforms, and the physicality of building a layout with paper. Those techniques, while maddeningly slow, were in direct relationship with the materials, and that is how I work best. I like to build – with beads, with stitches, even with tiny strips of paper.

I just sent out a special order Long Squares Necklace. This one in goldish-pink pearls.

It still seems miraculous that women I’ve never met are wearing my jewelry. I love it! It feels thrilling and mysterious.

After going to MJSA I walked through Hudson River Park and came across these sculptures.

They’re so playful and practical at the same time. Turns out the piece is called Two Too Large Tables and is by Allan and Ellen Wexler. On their website there are many more inspiring projects.

I went to the Manufacturing Jewelers & Suppliers of America show on Tuesday. It was my first time; I’m trying to network more and make use of the tremendous resources that are out there for jewelers.

I went with another jeweler who works completely differently than I do. We were attracted to different booths – I stopped at bead sellers and clasp manufacturers, she talked to CAD specialists and an enameler. It was fascinating, if I’d been on my own I would have missed a lot.

I bought some small vermeil beads. I’m not sure what I’m going to make with them but they’re the perfect size for something like a Wild Geese necklace.

I’ll probably just pet them and love them for a while first though.

Please forgive me for neglecting the blog; I have houses on the brain.

One in particular.

On Sunday I went to the Winter Garden for the opening of the Hyperbolic Crochet Coral Reef. The project marries craft and mathematics, and brings attention to the ocean’s endangered coral reefs.

The pieces are every shape imaginable, and made from everything from wool to trash.

I got to meet Helle, who has flown in from Australia. Her Rubbish Vortex is hanging in the middle of this snapshot…

It’s made entirely from plastic bags of every color, sent to her from all over the world. I find the piece particularly moving; the real trash vortex in the pacific is large enough to be compared to a land mass and makes this planet seem very small and vulnerable.

I was in Park Slope last week and took some pictures of the Montauk Club. It’s a fabulous, ornate building.

What struck me this time was how the faces of the gargoyles initially appear identical but they’re actually very different. Each has his expression: grumpy, scared, bored, peckish…

They make me think of the lion in the Wizard of Oz. I want them to talk to me.